actually so terrible. i was forcedf to watch this. i was yelling at the movie the entire time at how bad it was. painful. i ended up recording my reaction to the movie because the intro was so horrendous, which i may or may not make into a video idk
articles about this movie talk about how it was “ruined” in the edit that favoured gags, but i don’t think this was a masterpiece to begin with. there are 6 plots that (i think???) weave in together, but they cut between them every 40 seconds. the Rob Lowe-alike speaks in MIDI piano vocal sound effects. Everyone is so obviously on cocaine, and the acting and direction makes this movie feel like an adaptation of a play, in which case hey it’s better than the genre amirite gottem
i went to sleep halfway through
I didn’t really like this as much as I was expecting. It’s a Ghibli movie so obviously its still good, but the third act of the movie kinda lost me. It mostly felt like everyone was running, then stopping to talk/do something, then continuing to run. That’s a fine thing for a movie to do but it was getting a little stale.
I did like how Ghibli took a darker tone with this compared to their previous movies, I felt like it showed that they had range.
UNITARY
To be honest, I feel like this was a movie made for me. It goes from a serious drama to silly comedy in the most campy, but genuine way. This movie also contributes to a trend I see in a lot of East Asian stuff where you see characters change drastically after skipping ahead in time. The subtitles can sometimes be nonsensical, but I feel like that’s more to do with it being too culturally specific and thus basically impossible to translate. They used the orchestra hit in a song which was cool to notice :) rot13 encoded spoilers: gur glcr bs fuvg v guvax bs jura v gnxr gbb ybat bs n fubjre
THE ANGEL’S SPECTACLES: LATEEN’S FIRST DOUBLE FEATURE
When deciding on what movie to watch this Friday, I narrowed down my picks to 1 option, The Red Spectacles. However, when I watch anything from a particular director I prefer to do it in release order, and Angel’s Egg happened to come before it. I didn’t feel like watching an animated movie, so I ended up in mental angui-hey wait a minute, Angel’s Egg is only 70 mins long! I could watch BOTH movies back to back. Besides, I feel like watching an animated movie now anyway. I could even write reviews for movienight with a thing comparing the 2 films and put it in BOTH reviews! Anyway, enough talking to myself.
To put it simply, Angel’s Egg is a serious mom-youre-too-loud-talking-to-your-new-boyfriend anime, while The Red Spectacles is more of a weird having-an-awkward-intervention-with-your-moms-new-boyfriend-about-that-strange-movie-youre-watching kind of movie.
Visually the films have a lot of similarities. They’re both high contrast and use color sparingly, although the way they use color is different. AE has color all the time using bright tones for emphasis, while TRS opts to be shot in black & white and switches to color film when needed. They’re both slow but AE is quiet about its presentation. TRS is loud and doesn’t hold back about its style. You WILL see a dozen shots of a guy looking forward in sunglasses and you WILL enjoy it.
Trust is something that filmmakers have to establish, otherwise the audience will disregard what the filmmakers are trying to say. When I was watching AE there was one shot in particular that I thought was going on for too long, I wasn’t trusting the filmmaker. After waiting for it to pay off though, I realized that choice made sense in the context of the scene. After that realization I trusted the filmmaker fully. AE is entirely sincere when its trying to get you to trust it. TRS, however, completely breaks the audiences trust as much as possible. This makes sense as TRS IS a goofy comedy, but it actually ends up serving the story its trying to tell. TRS transcending trust in this way somehow makes it genuine to me.
Something interesting is that I feel both these films may have inspired MADGOD. Combine the premise of AE, a person carrying something into an unfolding world, with the sick-ass armor + suitcase of TRS, and you basically have MADGOD. Obviously I have no proof of this other than those vague similarities, but Phil Tippett is an animator so I think its plausible.
META
A little after first submitting these reviews I realized that I actually really enjoyed this whole ordeal. I feel like I got more out of both these movies simply by watching them back to back. I was definitely able to write way more. Maybe I’ll do it again in the future? STAY TUNED FOR MORE
UNITARY
While the movie is quite slow its actually very compact. Everything shown on screen matters to the story being told, there isn’t any extra fluff. This does makes sense since by nature, animated movies have to be this way, but its cool to see it in something with such a slow pace. I can’t think of much else to write, its simply a well made animated movie with interesting characters, setting, and ideas.
THE ANGEL’S SPECTACLES: LATEEN’S FIRST DOUBLE FEATURE
When deciding on what movie to watch this Friday, I narrowed down my picks to 1 option, The Red Spectacles. However, when I watch anything from a particular director I prefer to do it in release order, and Angel’s Egg happened to come before it. I didn’t feel like watching an animated movie, so I ended up in mental angui-hey wait a minute, Angel’s Egg is only 70 mins long! I could watch BOTH movies back to back. Besides, I feel like watching an animated movie now anyway. I could even write reviews for movienight with a thing comparing the 2 films and put it in BOTH reviews! Anyway, enough talking to myself.
To put it simply, Angel’s Egg is a serious mom-youre-too-loud-talking-to-your-new-boyfriend anime, while The Red Spectacles is more of a weird having-an-awkward-intervention-with-your-moms-new-boyfriend-about-that-strange-movie-youre-watching kind of movie.
Visually the films have a lot of similarities. They’re both high contrast and use color sparingly, although the way they use color is different. AE has color all the time using bright tones for emphasis, while TRS opts to be shot in black & white and switches to color film when needed. They’re both slow but AE is quiet about its presentation. TRS is loud and doesn’t hold back about its style. You WILL see a dozen shots of a guy looking forward in sunglasses and you WILL enjoy it.
Trust is something that filmmakers have to establish, otherwise the audience will disregard what the filmmakers are trying to say. When I was watching AE there was one shot in particular that I thought was going on for too long, I wasn’t trusting the filmmaker. After waiting for it to pay off though, I realized that choice made sense in the context of the scene. After that realization I trusted the filmmaker fully. AE is entirely sincere when its trying to get you to trust it. TRS, however, completely breaks the audiences trust as much as possible. This makes sense as TRS IS a goofy comedy, but it actually ends up serving the story its trying to tell. TRS transcending trust in this way somehow makes it genuine to me.
Something interesting is that I feel both these films may have inspired MADGOD. Combine the premise of AE, a person carrying something into an unfolding world, with the sick-ass armor + suitcase of TRS, and you basically have MADGOD. Obviously I have no proof of this other than those vague similarities, but Phil Tippett is an animator so I think its plausible.
META
A little after first submitting these reviews I realized that I actually really enjoyed this whole ordeal. I feel like I got more out of both these movies simply by watching them back to back. I was definitely able to write way more. Maybe I’ll do it again in the future? STAY TUNED FOR MORE
What if you saw 3 of the least empathetic guys solve their trauma? I don’t know what to say of this movie except it felt longer than it was.
How much money do these wizards have????
briefly features a song by my favourite band :] lots of my favourite things to see. all-around something good and safe for me. gold. probably underappreciated by many. special ~gzip
destroyed me. my fucking god
When I initially watched this movie, it made me fall in love with China—at least this movie version of rural China shown. I love the landscapes, the architecture, how slow and deliberate people are, the way the poetry is narrated.
Normally I try to be sort of subjectively-objective with my logging of movies. I enjoy talking about what makes a movie work or doesn’t work, as much as I enjoy talking about my personal experience with it. With Kaili Blues, I don’t think I can be as objective as I’d want. When I think about this movie I don’t really think about the smooth editing between the long take and the rest of the movie. I don’t even think about the story of a man discovering things about himself and other people, and accepting it as it is. I just think about the love it makes me feel.
A Spring Fling https://tilde.town/~lateen/spring-fling.html
Great thriller with a great performance from both the leads. It wasn’t as heavy on the more open ended storytelling as Kurosawa’s previous movie Cure was, but it was definitely still there.
Something really interesting was how little significance was given to when people were hurt or died. When someone gets shot, they don’t scream, the sound effects are minimal, and they just… slowly fall over. It was a really neat touch that added to the uneasiness.
This marks my first time watching a movie that I fully own. Before I’d been ~acquiring~ my movies, but with Mishima I was gifted the Criterion Blu-ray (which I ripped of course, I’m not buying a shitty disc player). Its very special to me to watch it in the best digital quality possible.
I’ve never really liked how often people describe movies as masterpieces. Sure there’s lots of movies so there’s bound to be quite a few, but it still feels /too/ frequent to me. When I first watched this movie I knew that I could probably consider it a masterpiece, but wanted to make sure that I rewatched it before claiming that. A masterpiece is sacred in my eyes, and by naming movies too often as such only devalues them.
After rewatching this movie, I can say without a doubt that this really is a masterpiece. I could go on about every aspect of the movie, and I would never be able to describe how great it is. It has so much to say about living with art and beauty. If you’re reading this and haven’t seen it, Watch It.
A Spring Fling https://tilde.town/~lateen/spring-fling.html
Even though this was a rewatch, and I went in knowing that the lens was absurdly wide, I still was not prepared for how wide the lens is.
I mean its just great, man. People coping with loneliness makes for some great stories.
I remember reading this one street photography book and the artist talked about how he rotates his camera in order to keep composition, which is abnormal, which this movie does frequently. You’d think that with such a wide lens, there wouldn’t be much problem to get interesting compositions. But I think because they wanted to keep the camera close to the characters, they ended up having to rotate the camera anyway.
This was the first Wong Kar-wai movie I watched so I didn’t know that the movie was referencing Chungking Express, which it does pretty often. Makes me wonder if Kar-wai’s other movies reference each other and I just haven’t been noticing it.
A Spring Fling https://tilde.town/~lateen/spring-fling.html
I feel like this is a movie about responsibility, with the 3 story lines showing different parts of it. The photographer avoiding it, but later coming across it. The teenager running away from it. And a married man desperately clinging on to it.
I think Edward Yang really likes having characters that do things that may not make sense even to themselves. He had a little bit of this in That Day on the Beach, a lot more in Taipei Story, and even more in Terrorizers. Because of that, it took me a while to figure out what I’d like to say about this movie, which is nice. It means I think about the movie for a bit longer.
REALLY interesting movie. It gives off some David Lynch vibes with… well.. a lot of things. The pacing, the black comedy, the set design, and a lot more that I can’t really put a finger on.
A lot of foreign movies I watch I feel have comedy that isn’t too culturally specific, but with Monday there was a couple times were I felt I would’ve gotten the joke better if I knew more Japanese.
The movie has one of those endings where, if you were to watch it with friends, I feel you could discuss it endlessly about what happens and what you think certain things meant. I always really like those kinds of movies.
The book of henry. On second watch this movie makes so much more sense. Two main issues that break this fucking film for me: The Book of henry 1: the guy does not need to be there post-hospital, he is shoehorned in and the writer should’ve considered Lesbians: Sheila would’ve been a nicer fit for all the scenes he has outside of a medical setting. did not keep me from wanting to fuck him, though. The Book Of henry 2: they should’ve shown Glen being more evil. Bruises, even shadows that elude to him hitting his kid. Fuck this, you’re depicting a child seizing twice and not even showing a makeup-bruise on a child for the MAIN PREMISE OF THE THIRD ACT? HALF OF THE MOVIE???? ARE YOU STUPID?
THE BOOK. OF HENRY. 7⁄10
When I originally logged this I left it blank, which I feel kind of implied that it I didn’t think it wasn’t noteworthy. But that’s not what I think it all, this movie is just a remake of the first 6 episodes of Evangelion and it does it quite well. There isn’t too much you can say about this movie that can’t also be said about those 6 episodes.
I’m writing this review mostly to say that my goal on this glorious website is to write something for every movie, even if I only have a sentence or two of thoughts about it.
i watched this not knowing that there was a twist. that was unexpected. pretty good movie.
An above average 80s crime movie. Nothing too crazy to be honest, other than getting to watch Chow Yun-Fat be the literal coolest person alive.
It very obviously inspired Reservoir Dogs, so that’s cool I guess
Really great slow movie about people’s different responses to living in their pasts.
I think it perfectly encapsulates the feeling in adulthood where people you know sort of unceremoniously coming back in your life, briefly catching up, realizing you’re both different people after spending time together, then leaving the same way they came.
This movie also continues the trend of stories about people being homesick for their adolescence. I can’t offhandedly think of a Western movie like that, but I feel like I can list so many East Asian movies like it, which I think is interesting.